Parametric polyphony

Parametric polyphony in recent guitar music

This article approaches the performing/interpretative issues arising from the performer’s relationship to models of extended/multi-parametric notation in guitar music. Two works are examined: Aaron Cassidy’s The Pleats of Matter (2005-7) for electric guitar and electronics and Wieland Hoban’s Knokler (2008-16) for solo classical guitar, although I argue that Hübler’s Reisswerck (1987) for solo classical guitar can be regarded as an antecedent Finally, I discuss the performer’s relation to these models of notation beyond the mere exploration of new playing techniques.

Parametric polyphony in recent guitar music