Analysis

Temporality as an analytical approach to minimalist music: Tom Johnson’s An hour for piano

Minimalist compositions thwart most attempts at analysis given their remarkable simplicity; their structure is often deliberately obvious. The experience of a minimalist piece, however, is anything but simple. These compositions encourage the listener to ignore the past and the future, memory and expectation, and explore an extended present. 

Temporality as an analytical approach to minimalist music: Tom Johnson’s An hour for piano

Time, eternity and the problem of minimal music’s alleged non-linearity in Louis Andriessen’s De Tijd

This article explores contrasts between time and eternity in Louis Andriessen’s De Tijd from 1981. The music, although inspired by the experience of “complete tranquility”, appears to establish a dialectical opposition between musical elements signifying timelessness and measured time.

Time, eternity and the problem of minimal music’s alleged non-linearity in Louis Andriessen’s De Tijd

Looking inward: La Monte Young, Arvo Pärt, and the spatiotemporal dwelling environment of minimalist music

There is a thread of epistemic theory connecting the discourse of twentieth-century aesthetics and phenomenology which asserts that works of art open up or disclose a sort of ‘world’, so to speak, as well as an associated view of reality that accords with the subject’s primordial and embodied sense of being.

Looking inward: La Monte Young, Arvo Pärt, and the spatiotemporal dwelling environment of minimalist music